By Writers, For Writers
Our program was built entirely by writers, to guide authors organically through the exploration of their craft and thorough preparation for a sustainable life of creation and publication. No other program nurtures a writer from line and sentence to essay, story, poetry collection or novel like ours does.
Our editing semester is a uniquely practical experience in crafting work which is both thrilling and publishable. Our gifted faculty are here because they want to launch unique, individual voices within a global dialogue; to see risks taken, new moves in language braved, and students grow into professional and artistic peers.
Come lean toward our fire and tell us your stories, poems, essays. We’re listening.
How does a low-residency program work?
We’ve made this program so that people who are unable to walk away from jobs and families and service can still become masters of their craft . . . NOW.
Over four distance-learning semesters punctuated by five week-long residencies, students will focus on their chosen genre (be it fiction, poetry, or creative nonfiction) while exploring new territories of artistic expression.
Faculty meet with their students one-on-one during each residency to set plans, then work with them intensively throughout the semester providing written critiques. With a student-to-mentor ratio never greater than 5:1, students receive creative, focused, individualized feedback.
Each residency is an eight-day intensive period of workshops, seminars, readings and more, in which we explore the wide landscape of the writing life from practical tricks-of-the-trade to subtleties of conceptual nuance. Residencies take place in early January and early August, with one of every five residencies (for the program as a whole) located overseas. Our August 2014 residency was in Doolin, Ireland – our January 2017 residency will be in Jamaica.
Meet Our Faculty
Honorary Creative Writing Faculty
Carolyn Forché: Born in Detroit, Michigan in 1950, poet, teacher and activist Carolyn Forché has witnessed, thought about, and put into poetry some of the most devastating events of twentieth-century world history. According to Joyce Carol Oates in the New York Times Book Review, Forché’s ability to wed the “political” with the “personal” places her in the company of such poets as Pablo Neruda, Philip Levine, and Denise Levertov.
Upcoming Writer in Residence
Sonnet Mondal (Kolkata, India) is the author eight books of poetry, and editor-in-chief of The Enchanting Verses Literary Review (www.theenchantingverses.org). His most recent book, Ink and Line, was co-authored with Sukrita Paul Kumar. He has read, and represented India, at festivals in Macedonia; Cork, Ireland; Istanbul, Turkey; Granada, Nicaragua; and Slovakia. His poetry has been translated into Hindi, Italian, Slovenian, Slovakian, Turkish, Macedonian, Bengali and Arabic, and published across Asia, Europe, and North America.
Each of our faculty members is an experienced writer and an incredible teacher of their art. Here are a few:
- MA, English, University of Central Florida
- MFA, Creative Writing, University of Central Florida
Kelle Groom’s memoir, I Wore the Ocean in the Shape of a Girl (Free Press/Simon & Schuster 2011; paperback 2012), is a Barnes & Noble Discover Great New Writers pick, New York Times Book Review Editor’s Choice selection, Library Journal Best Memoir of 2011, Barnes & Noble Best Book of the Month, Oprah.com O Magazine selection, and Oxford American Editor’s Pick. Her poetry collections are Five Kingdoms (Anhinga Press 2010), Luckily (Anhinga 2006), and Underwater City (University Press of Florida 2004). Her work has appeared in numerous publications including Best American Poetry 2010, The New Yorker, Ploughshares, and Poetry, and has been recognized in the Pushcart Prize and Best American Non-Required Reading anthologies.
She is the recipient of fellowships from Black Mountain Institute, University of Nevada-Las Vegas in partnership with the Library of Congress, Djerassi Resident Artists Program, Millay Colony for the Arts, Atlantic Center for the Arts, Virginia Center for the Creative Arts, American Antiquarian Society, and Ucross Foundation, as well as both a 2010 and a 2006 Florida Book Award, a State of Florida Division of Cultural Affairs grant, and Barbara Deming Memorial Fund grant. Groom was the 2012-2013 Distinguished Writer-in-Residence at Sierra Nevada College. Former poetry editor of The Florida Review, she is now a contributing editor.
Poetry, Literary Theory
- BA, Richard Stockton College of NJ
- MFA, Writing and Literature, Goddard College
Laura McCullough’s most recent books are Rigger Death & Hoist Another, poems (Black Lawrence Press, 2013); Ripple & Snap, micro-fiction/prose-poems about the aftermath of a public suicide; Shutters*Voices*Wind, linked monologues in the voices of women from around the globe; The Smashing House, a short fiction chapbook (ELJ Publications, 2013); and her edited anthology, The Room & the World: Essays on the Poetry of Stephen Dunn (Syracuse University Press, 2013). Her other books are Panic (winner of the Kinereth Gensler Award, Alice James Books, and a Foreword BOTYA finalist), Speech Acts (Black Lawrence Press), and What Men Want (XOXOX Press). Her second edited anthology, A Sense of Regard: Essays on Poetry and Race is forthcoming in late 2014 from University of Georgia Press.
She has been a finalist for the Brittingham and Felix Poetry Prize, the Isabella Gardner Award, and the Frost Place residency and has been awarded scholarships or fellowships from Sewanee Writers Conference, Bread Loaf Writers Conference, the Vermont Studio Center, the New Jersey State Council on the Arts, The Nebraska Summer Writers Conference, and others. Her essays, criticism, poems, creative non-fiction, and short fiction have appeared in Diode, Plume, Drunken Boat, The Georgia Review, New South, Guernica, The American Poetry Review, Green Mountains Review, Pank, The Good Men Project, The Writer’s Chronicle, Gulf Coast, Pedestal, Painted Bride Quarterly, and others. She was the founding editor of Mead: the Magazine of Literature and Libations and currently acts as an editor-at-large.
Faculty & Student News
MFA Faculty Lee Herrick has his book of poems, Scar and Flower, accepted to be published by Word Poetry Press in 2019.
MFA Alumni Brooke King has her memoir, Full Battle Rattle, accepted by the University of Nebraska Press and Potomac Books with a publication date of 2019.
MFA Faculty Gayle Brandeis has published two new books, The Selfless Bliss of the Body, with Finishing Line Press, and a memoir, The Art of Misdiagnosis: Surviving My Mother's Suicide, with Beacon Press.
MFA Creative Nonfiction Writing Student, Rebecca Evans has her essay, "Harnessed," published in Gravel Literary Journal. https://www.gravelmag.com/rebecca-evans.html. Her essay, "Writing Me," is forthcoming in Fiction Southeast in 2018.
MFA Creative Nonfiction Writing Student Wendy Hill has her essay, "Archaeology," published in The Sun Magazine. https://www.thesunmagazine.org/issues/500/archaeology.
We want artists who will write for the rest of their lives. If you are interested in adding your voice to this transformative conversation and intrigued by the possibility of working with teachers and peers who are passionate about the art they love, then please contact us — we look forward to meeting you.