By Writers, For Writers
Our program was built entirely by writers, to guide authors organically through the exploration of their craft and thorough preparation for a sustainable life of creation and publication. No other program nurtures a writer from line and sentence to essay, story, poetry collection or novel like ours does.
Our editing semester is a uniquely practical experience in crafting work which is both thrilling and publishable. Our gifted faculty are here because they want to launch unique, individual voices within a global dialogue; to see risks taken, new moves in language braved, and students grow into professional and artistic peers.
Come lean toward our fire and tell us your stories, poems, essays. We’re listening.
How does a low-residency program work?
We’ve made this program so that people who are unable to walk away from jobs and families and service can still become masters of their craft . . . NOW.
Over four distance-learning semesters punctuated by five week-long residencies, students will focus on their chosen genre (be it fiction, poetry, or creative nonfiction) while exploring new territories of artistic expression.
Faculty meet with their students one-on-one during each residency to set plans, then work with them intensively throughout the semester providing written critiques. With a student-to-mentor ratio never greater than 5:1, students receive creative, focused, individualized feedback.
Each residency is an eight-day intensive period of workshops, seminars, readings and more, in which we explore the wide landscape of the writing life from practical tricks-of-the-trade to subtleties of conceptual nuance. Residencies take place in early January and early August, with one of every five residencies (for the program as a whole) located overseas. Our August 2014 residency was in Doolin, Ireland – our January 2017 residency will be in Jamaica.
Meet Our Faculty
Honorary Creative Writing Faculty
Carolyn Forché: Born in Detroit, Michigan in 1950, poet, teacher and activist Carolyn Forché has witnessed, thought about, and put into poetry some of the most devastating events of twentieth-century world history. According to Joyce Carol Oates in the New York Times Book Review, Forché’s ability to wed the “political” with the “personal” places her in the company of such poets as Pablo Neruda, Philip Levine, and Denise Levertov.
Each of our faculty members is an experienced writer and an incredible teacher of their art. Here are a few:
Editing, Graphic Communication, Book Design
Kristen Radtke is a writer, editor and designer based in Brooklyn. She is the managing editor of Sarabande Books, and the film and video editor of TriQuarterly magazine.
Her graphic memoir Imagine Wanting Only This is forthcoming from Pantheon Books. Her work has appeared in Oxford American, The Daily Beast, Tin House, Buzzfeed, Electric Literature, Huffington Post, and many other places.
Publishers Weekly named her a “future leader of the American publishing industry” in its 2015 Star Watch, and Buzzfeed Books named her design one of the most beautiful book covers of 2015. She has an MFA from the University of Iowa’s Nonfiction Writing Program.
We want artists who will write for the rest of their lives. If you are interested in adding your voice to this transformative conversation and intrigued by the possibility of working with teachers and peers who are passionate about the art they love, then please contact us — we look forward to meeting you.